Ann Arbor Review

INSIDE THIS ISSUE:

Shutta Crum
Paul B. Roth
Laszlo Slomovits
Duane Locke
Felino Soriano
Chris Lord
Jerry Blanton
Carmen Firan
Amelia Makinano
Connie Stadler
Fred Wolven
Duane Locke
Tolu Ogunlesi
Running Cub
Joanie Freeman
Gerald Clark
Karyn M. Wolven
Holly Day
Dike Okoro
Fred Wolven

ARTEMISIA GENTILESCHI

A
s a woman, she learned that in a baroque
R
enaissance she was not less proficient
T
han a man, in fact, just as good stroke-for-stroke in each
E
ndeavor--canvas by canvas--that she undertook.
M
en--those lying devils--were not, not
Including her father Orazio, to be trusted,
S
hould not be believed.  They bruited falsely.
Instead, she followed her own golden thread.
A
head of her time, she would take (like Clio and Minerva)
G
reat strides, paint greatly the tropes of
E
ach dream that would be in a Medicean terrain
Not leave the orbit of her mind, that would
T
ake over her Roman spirit, that would
I
nculcate within her a desire, a drive, to
L
ive the artistic life--courtly and ecumenical--despite
E
very offense given her--rape, neglect, abuse--by those
Single-minded, lazy, self-indulgent, brutish
C
urs that sniffed around her chiascuro.
Her dream grew in perspective with her visual
I
ntelligence and skillful hand--innately hers.



FRIDA KAHLO (RIVERA)

F
reed by her fractures, SHE, incising
R
ivera's otherness as his Aztec Santa,
I
sis of Coyoacan, a lush jungle
Dadaed with open wounds and blood
Allas of butterbirds and lexicosex,
K
udzus of riveting red rios and canons,
A vein to her bruised body and open
H
eart of Mexico's arta y misteria,
Lady of dry deserts and barren wombs,
Ortho-psychic in wondrous vias
(R
eading her [he] art, the gargantuan feeder,
Insouciant breeder, was as a
Votary, her exceptional friend, so
Every pain belong her-belong him, and
Rode a budding Bodhi burr a tiempo to tun-
A)
BLOOMED like herb cactus, plush and prickly.



EDITH "LA MOME" PIAF

E
very time she sang, people stopped: their work, their worries, their
Disappointments, their meals, and gave her their ears.  O, Chanteuse!
In Paris, she was a little throbbing sparrow with a huge voice
That crooned, "I am singing about you--this place and this time--forever."
How did such a tiny vessel ring with such a full tone?
"La Mome" knew their hearts, knew their souls, carried their torch,
And all who heard her caught the flame that seared them.
Many would start, clasp their hands, and gaze at the enchantress
Out of whose mouoth their mysteries and secrets were revealed.
Many, listening alone to a radio, would feel their lips quiver, sense
Each tear that trickled down their cheeks, sigh and
Peek out a window at the City of Lights, city of art, city of
Iniquities, city of falling empire, city of humiliation.
As she sang "No, Je Ne Regrette Rien," all the denizens knew she knew
Full well their strengths and weaknesses and loved them despite their faults.



KATE CHOPIN

K
indred spirit to Artemisia and Frida was Kate, who battled men in a men's world.
As if she could play the patriarchal game, when all the while she suffered the
Torments of the specially gifted dirrently to see the illusions of the world as she
Eluded the stereotypes of wife and mother, although she was both, and
Created her truer world of Creole and Cajun denizens of real desires and
Hopes of all places and all times.  She wrote so people could understand if
Only they would read and learn how women yearn to be another unique
Person, just that and nothing more, a flesh and blood and nerve and mind
Individually wrapped, but sensing the universe and all its possibilities
No more nor less than any other homo sapiens that ever trod the earth.

                


Jerry Blanton, Homestead, Florida
 


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