INSIDE THIS ISSUE:
Laszlo Slomovits
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TO A CATBIRD Fat raindrops pour from the gutters of your thoughts like propane changing from gas to liquid or the way a large black moth completed metamorphosis behind the white shed by pumping wet shadows into her cinnamon-spotted wings. A gunshot or backfire muffled by a rainforest of dripping maples on this chilly Saturday twilight. Motorcycle's purplegreen abdomen, the color seen on houseflies, nibbles the edge of our neighborhood. Fat raindrops pour from the gutters of your thoughts; at the edge of the neighborhood an empty freight train digs its rhinoceros horn below your Platonic thoughts that have secretly been replacing coal for many generations now. RED HOUSE (After Robert Johnson) Red house over yonder casts its shadow across soybeans. Trouble flickers behind farmhouse windows. Through yellow oaks the wind, like a mockingbird, screeches in and out of love before spat from an ATM machine. The woman who practices voodoo stopped by for lunch. Had tuna on every variety of rye you can imagine. Alas, dust feathered the uppermost ridges of her Gucci sunglasses. Movement, it seems, is required from even the most sedate creatures, such as shadows. So, how come you follow me everywhere I go? JAGUAR Black smoke rings. A flatbed Ford splashes rainwater against our stained, khaki nightmares. (As if most of us could spell the word khaki if our lives were bound and gagged between the shivering hips of 50-caliber gun sights.) The jaguar tilts her jade eyes, adjusts her spotted hips, licks her split saffron nose, yawns, then curls her golden head into a long catnap. GIANT MANUSCRIPTS Some poetry manuscripts are monster hurricanes gripping the entire state of Florida, eerie eyes focused on West Palm, Stuart and Ft. Pierce. It just so happens in high school I dated a girl from the Port St. Lucie corridor. An Italian girl, tiny yellow finches asleep in her quart-blue eyes. But I digress. These manuscripts, like giant elephants spraying one another, eventually become mighty intimate with the ashes of smaller manuscripts. These giant ones simply grow heavier and heavier down in the basement, night after night. Sometimes they remind me of sperm whales trolling 12 miles deep, always on the look-out for their favorite meal: the giant squid, that elusive, mythical creature whose 50-foot tentacles occasionally litter our shores of dementia. UNTITLED (After Bob Dylan, Leonard Cohen & Cesar Vallejo) It wouldn't be fair to quantify it. Especially when it curls up like Highway 61 just above your left shoulder. A Peruvian poet offers his opinion, as good as any, threading white smoke through the dirty clouds. I sense uneasiness. I'm so forgetful. I'd easily forget the past twelve years of ridiculous politics, raking our retirement dollars like Autumn leaves into this or that private interest coup. There's anger in every armchair flinching at the national news. Local news only aggravates the situation. Local news is saddened by perpetual misbehavior of the local populace. Your telephone rings off the wall, but you can't smell time when your dogs are off on a good prowl pawing for scraps of this or that illusion. In any event, wandering one wounded evening, like Hansel through the terrified woods of your ancestors, ask yourself, is it really worth it? And will you ever find yourself, hopeless, and irreconcilably humbled, stumbling through your sacred deity's curly beard of coals, across his pale algae tongue of impossible truth, depending upon your impetuous mood, which is what I've been saying all along? Let complex angels with tasseled chestnut tresses warming their naked breasts carry the final torches. Let yellow lightning undressing the shoulders of black grasshoppers guide you through the caves of your indifference. What the hell do I know, anyway?
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