INSIDE THIS ISSUE:
Fahredin Shehu
Alicia Mathias
Aneek Chatterjee
Joanie Freeman
is an independent International Journal & ezine
Copyright (c) 2020
Francis Ferde AAR history note: in print 1967 - 1980. Irregular publications 1980 - 2004. As ezine 2004 - present. Most of 55 years all together....
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When the train derails: inspectors, first responders, authority-fueled officials, tactical research and restoration team leaders, security-garbed credential-laden buttoned down micro-managed affiliate board associates and coordinators descend upon the wreck where: wallets, packets with unfamiliar markings, chairs, staples, paper clips, cardboard boxes, folders & tacks, laptops, cellphones, coffee cups & other familiar furniture fragments, clothing too and shoes, watches, rings, roses & wine bottles have been strewn about.
There are other items hidden where evidence could easily be mistaken for Trip Tix to Disney World in the spring. And objects under broken pieces of twisted and dismantled iron recognizable only by the light of day, that remains absent now, and on its own crash course with reality thousands of miles to the west.
Then the bodies begin to reveal themselves: wild eyes, broken noses, collapsed lungs, infrared & underfoot, yet one has this look never seen before, a peaceful, child-like gaze enveloped in the spirit-world, already on the way, leaving troubles & worries in its wake, on muddy and rubble-filled footpaths alongside the murky runoff from the hill above & the storm that moved east overnight.
SHOOT THE MOTHERS: DECLINE OF CIVILIZATION AS HAS BEEN KNOWN OR EARTH’S LAST GASP 7/28/2020 6:30AM
And it’s shoot the mothers Detain any troublers/face-masked brothers brawl with Molotov cocktails Long guns loaded and hang on shoulders
Images quick to raise the tempers Lost are the fathers in their suburban druthers Where keepers of peace reflect all those random murders
Graffiti culture above all other A time for war if there ever was one Push down gas-masked soldiers with unauthorized marauders
Take to the streets of Amerikakaka burning The changing times, the mumble-filled anthems Take to the knees like fashion-wave hypesters
Insurgents of disturbance, reckless & twenty-four hour Rule of law global pandemic soothsayer republic Pardon me mister where is the sisterhood black lives matter
Swallowed hole in media belly bloated from reactionary focus Bloodied night swashbucklers, steam-fed federales Stomped down on tar and shot down with maimed-like precision
The decision is yours on the couch at the country-club disgust fest Full & sore & annoyed and deployed like scapegoat syndrome Rhythm and release tension from central rant free rattle storm
Troopers and tricksters mismatched & plague-smashed like Cold hearted orbs & metal detector grinder mashers Home, home on the silent lip range rule reincarnations
No more God’s glory, no more heavens sentries, does this say anything at all When the moon & it’s hotter, the cold & it’s wetter Along ammunition highway lie skeletons of here afters
And over and over goes under & turn away cryptic gilded plunder Stop at the red light & let the one-if-by-land, two-if-by-sea Go three two one blast off to the sun.
IN THE DARK 8/5/2020 10:26AM for Alamo
The two-wick candle full of past voices whispers between it’s flickering light.
Do not despair, the language you thought was yours turns out to have it’s beginnings buried amongst pine cones under the footpath that stopped at one sacred burial site.
Water, wind-sun, breathe-earth is all you’ll need.
Blindness has returned. It wants to hold your hand, the one with the scar, from night full like a plate glass window.
The nightmare three score years behind the memory of the body in the attic only sleep would welcome.
The attic in a house on a street named after a tree with roots in cold ground where to be a pebble only brought more sound, dark, and like thunder sways with hesitation, into a hidden place, fills past voices that whisper to candlelight.
Stephen Sleboda, Holyoke, Massachusetts |
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